the ending i got.

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We held an end-of-year banquet for our Residence Life student leaders last week. This night usually involves getting dressed up, taking group photos, handing out awards, and -- most importantly -- intentionally coming together as one 60+ person team. Instead, on that night, I used my eyebrow pencil and put on a real bra for the first time in 33 days, threw on a sweater over the leggings I’d worn every day that week, and sat in front of a computer screen that held the faces of humans I’ve worked with -- and have cared about so deeply -- this year.

To start our banquet, my boss gave an introduction and a heartfelt thank you to our students (that made me cry, obviously), and ended with: “This is not the ending we wanted, but it is the ending we got.”

Last month, like most colleges in the country, my institution made the responsible choice to move to remote learning for the rest of the year. Most of our student staff quickly left campus. So did our residents, some taking everything with them, some leaving belongings behind that they’ll return to campus to pack soon. Outside my apartment building, there are four cars in a parking lot that’s usually full. I walk through campus often but don’t encounter anyone (except the turkeys and squirrels who are thriving with their new freedom). Over the past weeks (it’s really only been weeks, not months?), what it means to be a Residence Life professional changed. 

And because I am leaving my job this summer -- there, I said it without hiding it in a sneaky, wordy Instagram post -- it will never go back to the way it was.

I’ve tried writing about leaving my job three different times now. I first wrote about it in January, but didn’t publish anything because it felt too soon. I’ve known I was leaving since last summer, when I had my first real wonderings about what it would feel like to return home from a workout, or after a night out with girlfriends, or with a man I’m dating and not run into students who recognize me because of the posters of my face plastered up in their hallway or because we met earlier that week for a conduct meeting. My boss has known since November, my colleagues have known since January, and I told my staff in February. This has been my plan for a while now -- a chance to enter my 30s outside the walls of a residence hall. 

But sharing in January still felt too soon. So I wrote something and then I sat on it through January. And February. This was normal for me; I write things and sit on them wayyyy more frequently than I write things and actually put them out in the world. That writing was, may I say, some nice, hopeful shit centered around the “both/and” of loving something and also leaving it, filled with well-crafted metaphors, thoughtful reflections, and even some space to add what I was going to do next.

But then it was March, and the world changed. None of my words made sense to share anymore. Who am I to wax poetic about a beautiful theological concept in the midst of a global pandemic? I’m a complicated being full of multilayered truths, sure, but the only truth I am filled with right now is that I really do not know WTF is happening. The excitement about finding what was next for my career, my trust in embracing the unknown, my big, brave steps into a world outside of Residence Life? It all vanished when I realized that I was willingly leaving not only my stable job but my housing in the midst of a global health pandemic and the highest rates of unemployment in years. Oops.

So then, with many deep breaths, I tried to write something new. It included different words meant to make ~MeAnInG* of this mess, lots of feelings about the sadness of my job (as I knew it) ending just like that, and a few feeble attempts to be brave despite the realities of the world. It was all a bit dark and rambly and, despite being filled with emotion, didn’t capture how I felt or what I wanted to say. I deleted the whole thing. (Just kidding, I never delete anything, so it’s sitting in my drafts folder along with my January words, where all of my unpublished drafts go to die. Until I eventually resurrect them between four months and three years later.)

And then last week, I sat in that Zoom banquet with my colleagues and students, celebrating our year together and this weird-ass end to it that we didn’t ask for, and I reflected on my own endings this year -- the ones I lived without knowing it. 

Without knowing it, I held my last one-to-ones in my office. My students talked about classes and tests, lamented about group projects and overlapping deadlines. I asked about their residents, followed up on roommate conflicts, checked in on their upcoming programs. We’d just returned from spring break and had a whole quarter ahead of us -- so much time! I probably rushed through them in order to rush off to the next meeting or get to the next item on my to-do list.

Without knowing it, I held my last staff meeting -- a wild two hours with a chatty, newly-formed group from two buildings. We talked about expectations of each other and how we wanted to show up as our best selves every Tuesday night. We wrote these on a big piece of yellow butcher paper and tacked it to the wall, so we could be reminded of them each time we gathered. But that was our last time gathering, at least face-to-face.

There wasn’t a final conduct meeting, or an end-of-year party, or a roommate mediation (actually, I’m okay that there wasn’t another one of those). So many traditions, rhythms, and mile-markers of an academic year skipped over, just like that. Without realizing it, I moved through a season of lasts I’d been eager to pay attention to and hold space in my heart for. I wanted to enter each of these endings knowing they were the final time, so I could properly say goodbye to what has been my career and home for years.

I’m realizing that maybe it’s better that I couldn’t make a running list of every “last” in my Residence Life career, pinpointing and preparing for those exact moments. If I’d had the time, I toooootally would have made a checklist with all the things I wanted to do one last time -- a bucket list of sorts -- turning really special moments into to-do lists for my planner. In my head, it was because I wanted to prepare for them, make sure I always remembered them, to count them as special. But let’s be real -- I wanted something I could control in the midst of inching closer and closer toward an Unknown Life outside of Residence Life. That list would have turned those moments not into something to be fully present for and experience, but as something else to accomplish. To check off. To get through.

It’s better that I had all of these lasts without realizing they were happening, without the chance to put extra pressure on myself (or others) to make each one meaningful, special, “one for the books.”  Because even without naming them as my endings, that’s what they were. And all of them were important and meaningful. Sacred, even.

Our last building-wide program was not a program at all, but a series of sex education booklets my staff made and delivered to every resident in their hall. I got to proofread them before they sent them out, and was struck by their inclusivity, dedication, and humor. There weren’t any end-of-year parties this year, but that means my last one included a homemade slip-’n-slide and getting pied in the face. And while I won’t have the traditional photo memories from our end-of-year banquet -- dressed up, “let’s make a funny face,” selfies with everyone -- I have this. And that can be enough.

These weren’t the endings I wanted, but they’re the ones I got. And despite it all, what I got was good. Not just these endings, but my whole career in Residence Life. It was all so very good. It was hard and unexpected and challenging and hilarious and full of tears and laughter and late nights and emails and duty calls and I never could have planned the way these last four years went if I tried. It was all so good.

It was all more than enough. 

Class Letter

May 2013

May 2013

What's new? Tell us.

This was the first line of an email I received from my college last week. I'm a proud alum: I subscribe to (and actually read) the emails that share fundraising goals and construction updates and student stories. I keep up with (and truly care about) what's happening on campus, even though all the current students I knew have already graduated. I keep in touch with professors (more than I can count on one hand), grabbing coffee when I'm back in town or sending e-updates back and forth. So an invitation to contribute to a class letter didn't make me think twice.

We want to hear what's happened in your life this past year. Family changes? New job? Travel opportunities? Hobbies? Send your class agent some news to share with your class.

I certainly had things to share about this last year -- things that I'd feel reasonably comfortable sharing with my graduating class of 700ish people. The standard class letter topics that, from the outside, define my day-to-day life and Instagram and résumé. I work as a Residence Director at a diverse university. I had the opportunity to travel to Minneapolis and Chicago and Denver and Milwaukee and Atlanta. I started graduate school. I live in Portland and get to go on frequent hikes and visit the coast and live in a progressive and socially-conscious and active place, all while spending time with a great community of humans. Sounds awesome, yeah?

And I also had things to share about this year that wouldn't necessarily make it into my school's publication, but still feel like defining victories. They're the small victories, as Anne Lamott calls them. The things that I don't typically name when acquaintances ask, "What's new?" but are usually on my mind more than what I actually say in response to that question. Like the fact that I finally got my Oregon driver's license last winter. And that I had jury duty for the first time! I started drinking coffee and quickly moved to drinking it black. I decided to wait to go to seminary. I started a job that has me interacting with 18-year-olds every day. I moved. I voted for a woman.

I found this request for submissions again last night in my Gmail inbox, after sorting through the bill reminders and LinkedIn notifications. And as I was reading, I didn't think about those big and small victories. I thought about all of the things -- in my own life and in others' -- that wouldn't be shared in this class letter. The things that we intentionally don't say when people ask, "What's up?"

I read the questions again. Family changes? New job? Travel opportunities? Hobbies?

What are the answers that we wouldn't dream of submitting for our class letters?

I thought about people from my college who have gone through a major breakup this year. Or had a death in their family. Or a miscarriage. I thought about the people who have lost their jobs, or who feel like they'll never be able to get their dream job, or feel stuck in jobs that drain their time or energy or souls. I thought about my classmates who travel all the time for work, but hate being away from loved ones, or not feeling grounded in a community, or hate that they're hurting the environment a little more every time they have to board an airplane for that meeting. I thought about my classmates whose lives or budgets or realities don't allow them to go very far from home, who are frustrated with the repetition of their day-to-day lives. I thought about my classmates whose hobbies include Netflix bingeing and social media scrolling and a lot of time spent sitting alone in their expensive apartments, wondering what the hell their twenties are supposed to be about -- because it certainly doesn't feel like it should be this.

My class letter, if I was being honest about this past year, would include some of those things. A breakup that gutted me. A lot of Gilmore Girls in my apartment. A lot of late nights and Saturdays and middle-of-the-nights spent working. It included appointments with a counselor. It included a lot of questions around vocation, worth, relationships, finances, and location. A lot of unpublished writing drafts for this blog.

I've been seeing things like this -- publicly calling out those things that we feel ashamed of -- circulate on my Instagram and Facebook feeds before. Some call them honest résumés, some call them real résumés, some call them failure résumés. They list the musicals that she auditioned for, but never got called back. They list the fellowships that he applied to, but never got an interview for. They list the jobs or internships, the research opportunities or awards, the thing I worked really hard toward or the thing I really wanted that I never got. Basically, they list the things that we wouldn't dream of putting on our résumé.

But by putting in public these things that so often shame us, that make us feel like we don't have our lives together, maybe it allows us to take back these failures or disappointments or heartbreaks and remind ourselves that they're just a part of life. All of the things that we wouldn't dream of putting in a class letter? Every alum from my college (and every human in the world) has a few pages' worth of those, too. We’re not the only ones.

A public letter sent to our entire graduating class of over 700 humans maybe isn't the best place for us to lay out the innermost pages of our souls. But as we submit these life updates, maybe we can still find a way to check in about all those things we won't share there. Maybe the next time a friend or parent or partner asks us, “What’s new?” our answers can be a little more real. They can have a little more truth. They can include a little more of the “here’s what’s hard” and “here’s where I’m hurting.” It takes a lot of effort and bravery to ask that question and want to listen to the honest answer. And it takes a lot of effort and bravery to respond to that question when that answer doesn’t feel picture perfect. It requires us to show up, to ourselves and to each other, as whole people.

So, what's new?

buy the song.

I have one song in my iTunes library.

I downloaded it on a late, hot August night, when almost a hundred people crowded into a home just a few blocks away from where I had spent the last four years studying, working, and becoming. Everyone was there to play beer pong, eat chips and salsa and chips and hummus, and have one last reckless summer night before “real life” started again in September. Most of them were there to say goodbye — to me and Steph, as we prepared to drive a UHaul (which was already parked in the driveway, already halfway loaded up with our lives) across the country to start anew in Portland. You know the rest.

I remember a lot of things about that night. I remember sneaking upstairs with one of my best friends and crying over the card she gave me and realizing our friendship would forever be altered the minute I pulled away from our hug and from Fargo. I remember sneaking away from the party to play on the nearby playground and swinging, swinging, swinging like I was in second grade again. I remember the police officer who knocked on the door, telling us that the party was over and one of our guests telling him it most certainly was not. This was my first real house party. It was all so real and all so cliche and I couldn’t stop smiling the entire night even though I was saying goodbye to all of my people. I felt like I was in a really great and really cheesy movie about college and growing up and moving on. I was, in a way. In my own movie. I was, in a way. Growing up and moving on. It was all perfect.

But I also remember this one moment — the one where I paid $1.29 to download a song. That night, my phone played the songs that kept getting interrupted by the people calling and texting, asking for directions. I turned on Spotify radio for most of the night and let BOY, Haim, and a few Top 40 hits flood the first level of the house and spill into the backyard. Somewhere between a few and several beers into the night, a few guys marched up to me with a request.

“Can we play a song?”

“Sure,” I said, as I handed over my case-free and already-cracked iPhone.

What I don’t remember is how they exited my Spotify app, bypassed searching for it on my YouTube app, and instead found it in my iTunes app and determined that this, this was the best way to listen to their song. I do remember someone passing my phone back to me a few minutes later with the “Sign In to iTunes Store” pop-up window right there, so I could authorize the purchase. I remember looking at their eager faces and giggling as I squinted at my screen and shook my head and thought how I’d spent $1.29 on worse things.

Maybe sometimes we make a choice because it will make others really happy. Or because they have kindly asked us. Maybe sometimes we make a choice because we truly, honestly don’t give two shits about the outcome. Or because we’re curious and feeling carefree. Maybe sometimes we make a choice because we think of all the harder choices we’ve made and then this one comes rushing in as a relief, an easy one, a mindless one.

I handed the phone back to them, and they set it up on the speakers, and then — it started.

“Choices,” by George Jones.

I would never have guessed in a trillion years that acoustic, country chords would gush out of my phone just then. I thought it was going to be Space Jam or R. Kelly or Jump Around or something that we all would have been excited about and then danced to or karaoked to or jumped around to. The guys who requested this song were the only people in the room who swayed and sang. (If you listen to it, you’ll realize it’s not really a song to jump around to.) I think I did a few sympathy sways with them and then went to the snack table. The party went on. (Until the cop finally did convince the previously mentioned guest that the party was most certainly over.)

There isn’t really a moral to this story. I plugged my phone into my computer for the first time in a long time tonight, and my iTunes library popped up with George Jones’ face and his dark sunglasses looking off to the left, and I immediately knew I wanted to write about it. It seems insignificant. The guys probably don’t even remember that they are the guys who did this. The others at the party probably won’t even remember this happening. But I do. I remember. And isn’t that a good enough reason for a story?

I could have deleted the song the morning after the party, as I ran through the night in my head and checked my iTunes to make sure I really did download it. I could have deleted it in the UHaul on the drive out here, as I cleared out the old on my phone to make room for the new. I could have deleted it any time in the last two years, as I plugged my phone into my laptop to save the pictures that have captured my life since that night. Instead, I’ve listened to “Choices” on repeat as I’ve written this, not only to make my grandmother proud that I’m listening to “her kind of country music,” but also to remind myself that a choice is just a choice. It’s not the end of the world or the start of our lives, even though it feels like everything in our world and our lives depends on it. We’ve made choices before and we will make them again. We will sometimes make the same choice over and over and over again and we will sometimes choose differently every single time we’re faced with it. Big and little choices, easy and hard choices, choices for others and choices that might make others mad or sad but that finally — finally — free us.

Life has us make choices all the time — sometimes ones that we are prepared for, sometimes ones that we will never be prepared for, and sometimes ones that shake up our souls in awesome and awful ways. Sometimes at the same time.

And sometimes, if we are lucky, life has us make choices that we just have to close our eyes at and throw our heads back at and giggle at as we type in our iCloud password and buy the song.

one book book club.

Why did people ask, "What is it about?" as if a novel had to be about only one thing.
-Chimamanda Ngozi Adichie, Americanah

I signed up for English 160 on a whim.

It looked interesting (it was), it was a night class (which meant more time to hang out in the Atrium, my college's social hotspot, during the day), and it counted for a required humanities credit (thanks, liberal arts).

On the first day, after passing out the syllabus and talking through the assignments and giving us a short break halfway through the three hours, Dr. Joan Kopperud showed us author Chimamanda Ngozi Adichie's now-famous TEDTalk, "The Danger of a Single Story." I had never met Dr. Kopperud before, and I still didn't know what to expect from this course, but after hearing Chimamanda speak the words, "When we reject the single story, when we realize that there is never a single story about any place, we regain a kind of paradise," I realized two things: one, that Monday nights from 6:00-9:00 pm were going to be a literature heaven-on-Earth, and two, that I needed to get to know this professor.

The class came and went each week. I would dash across town from my internship, dash across campus to Academy Hall, dash up to the third floor, books and dinner and highlighters in hand. I would sit in my desk (the same, awkward, left-handed one every week), listening to freshmen and seniors and Dr. Kopperud share thoughts on each book we read. We read fiction and nonfiction and poems and plays that were single stories from India, or Saudi Arabia, or England, or the Democratic Republic of the Congo. I questioned why I had decided not to become an English teacher; I wondered how I could live a life that wasn't surrounded by reading and sharing literature with others every day. I panicked that I hadn't chosen the right major; I poured through the course catalog and my senior year schedule, trying to squeeze any other English courses into my last two semesters (I didn't). And, I (eventually and timidly) asked Dr. Kopperud if she would have coffee with me outside of class. She, with all her energy and kindness and openness, agreed.

A class that started as a core curriculum requirement quickly became a space to confront the unknown in each chapter, ask questions about each story, and write not-totally-researchy papers about them. A professor that started as a name next to the most ideal class time quickly became a mentor, cheerleader, and permanent book-recommender. She also became the person who gifted me a hardly-used food processor before I moved across the country, who makes time in her schedule to grab coffee when I'm back home from across the country, and who ventured to my new home across the country with another of my college-year-and-still-now mentors. The whims -- the things you hardly think about, the things that require minimal brainpower at the time, like entering the Course Registration Number for English 160 as you register for the spring semester of your junior year -- can burrow deep into your heart and stick around to shape your own story.

During our coffee date this January, over Starbucks and swapping book titles, I mentioned how I wanted to join a book club in Portland, but felt a little overwhelmed by the idea. (Once a month? Sometimes it takes me two months to get through two short stories. Saturday mornings? I don't leave my room until at least 11:00 am. Through a Meetup group? Maybe I'm more of an introvert than I think I am...) Dr. Kopperud, with that same energy and kindness and openness as when I first asked her to coffee three years before, leaned in and smiled. She went on to tell me what she's been doing with her girlfriends for years: a One Book Book Club.

So tonight, I made a sign for my apartment door and threw some frozen pizzas in my oven as a group of women gathered around a pile of Americanahs in the middle of my living room floor. Some had read the book in its entirety in two days; some had yet to crack open the cover. We were from Arizona and Zimbabwe, rural and "urban" North Dakota. We were full-time employees and students and volunteers, part-time writers and dancers and yogis. We shared our own stories and learned more about each other's as we talked about this single story and all that it brought up -- race and gender and love and privilege. One book, one evening, and one club that (I hope) will shift and grow and share more books and more evenings and more stories; a One Book Book Club.

I still have each book I read during English 160. They sit ear-marked and underlined on my bookshelf, next to an ear-marked and underlined Americanah by Chimamanda Ngozi Adichie, reminding me of the danger of a single story (and how whims and 20-minuted TEDTalks and energetic, kind, and open professors can make your own story much more interesting and full circle-y). Now, every book that is a part of the Portland edition of One Book Book Club will, in some small way, be part of that semester -- and will be a part of my story too.